Beh holds a B.A. in Electronic Music Production and Performance Arts from Catalyst Institute Berlin (2021). They has exhibited and performed their work with independent initiatives, such as 'the point of no return' at the group exhibition 'Exhale(s) at Errant Sound (DE), ‘tendency of time’ at the group exhibition 'To be more site-specific' at MATCA artspace (RO), MISANTROPIA Festival (PT), OIIO Festival at Studio Alta 2022 (CZ), trat Festival (CZ), traumburg festival 2022 (DE), ‘4²’ at blaues rauchen 2021 festival (DE), at Hasard3 performance live stream festival (CH) and at Re-Connect Performance Festival 2021(www.com) & more.
They has collaborated with sound artists & experimental musicians with various backgrounds, such as Alïos Yang, Cheng Yang, Eli Ningù, Elif Gülin Soğuksu, Gina Lo, Kuntay Seferoglu, Kyoka, Mor Wenn, Mizuki Ishikawa, Periklis Lazarou, Vincent Laju, Vito Willems, Sid Talukdar and more.
Currently, Beh is exploring concepts and philosophy in feedback/feedforward, resonance phenomenon, and e/motions, through sound sculpture, multi-channel composition, electroacoustic, improvisation, and performance practices.
Wei Kang Beh is a Malaysia-born, Berlin-based transdisciplinary artist, who implements phenomenology as their inception of work. They explores the in/tangible senses from the aspects of matter/non-matter relativity, in the translations between motion, vibration, visuals and time-space in open/closed (virtual/physical) dimensions.
Their work is influenced by the un/conventional and experimental notions between avant-garde art, sound art, science, quantum theories, geometry, mysticism, music and technological artifacts. Beh practices multi-media methodologies to embody their work into sound sculpture, installation, spatial performance, audiovisual composition, graphic score, electroacoustic improvisation and experimental performative electronic instruments/devices.